Doha Tribeca Film Festival Salutes Algerian Cinema with Special Tribute of Post-colonial Era Films
Doha Tribeca Film Festival (DTFF), the annual cultural event of the Doha Film Institute (DFI), to be held from November 17 to 24, 2012, will salute the power of Algerian cinema with a special showcase, ‘Tribute to Algerian Cinema: Caught Between Past and Present.’ The special screening of four films that capture the frustrations, resilience and resounding hope of Algeria’s people in the post-colonial era also coincides with the 50th anniversary of Algeria’s independence.
Since independence, Algeria has witnessed several powerful cinematic works that reflect the nation’s struggles to come to terms with the fall-out of the violent revolution. Four such films, Rome Rather Than You (Roma Wa La N’touma) directed by Tariq Teguia Winds of the Aures (Le Vent des Aurès) by Mohammed Lakhdar-Hamina; Omar Gatlato by Merzak Allouache; and Nouba of the Women of Mont Chenoua (La Nouba des Femmes du Mont-Chenoua) by Assia Djeber are part of DTFF’s tribute. Critically celebrated classic, The Battle of Algiers by the late Italian filmmaker Gillo Pontecorvo will screen as part of the complimentary community screenings at the Sony Open Air Cinema on the Katara Esplanade.
DTFF will be also screening Algerian films in its competition section including The Repentant (Le Repenti) by Merzak Allouache; Fidaï by Damien Ounouri and Goodbye Morocco by Nadir Moknèche and the film set in Algeria O My Body! (Ô Mon Corps!) by Laurent Aït Benalla. The tribute culminates with a live performance by renowned Algerian jazz musician Safy Boutella at the official Awards ceremony on November 22, who will perform a special tribute to the nation. The tribute showcase has been organised with support from Agence Algérienne pour le Rayonnement Culturel.
His Excellency Mr Issa Bin Mohammed Al-Mohannadi, DTFF Vice Chair, said: “Algeria’s cinematic history is indeed the reflection of the country’s post-independence era, and a creative expression of the people’s hopes and aspirations. As Algeria celebrates its 50th anniversary of independence, we are honoured to present a special showcase of the country’s powerful films – both from the past and the present – thus offering visitors to the festival a finer understanding of the country’s cinematic history and evolution.”
In addition, Katara Art Centre, in support of the Festival and the Algerian tribute is hosting an Algerian film poster exhibition along with an Algerian short films presentation from November 15 to December 15.
This year, DTFF provides audiences a comprehensive and enriching cultural experience with new screening venues in Doha. Indoor and outdoor screenings will take place at Katara Cultural Village, Museum of Islamic Arts (MIA), and Souq Waqif.
The fourth edition of the Festival will open with Mira Nair’s critically acclaimed The Reluctant Fundamentalist, in addition to showcasing an internationally diverse programme of over 50 films in distinct themed segments. Public participation will be central with the Festival hosting an array of large community events, including Family Day, as well as panel discussions, networking events and educational filmmaking programmes including Doha Talks and Doha Projects.
Stories of Hope and Intense Dramas Highlight DTFF’s Arab Film Competition
The fourth Doha Tribeca Film Festival (DTFF), the annual cultural event organised by Doha Film Institute (DFI) to be held from November 17 to 24, 2012, presents established and emerging faces of Arab cinema in its Arab Film Competition line-up.
The Arab Film Competition this year makes a marked evolution in the cinematic sensibilities and approaches of the region’s filmmakers, representing Egypt, Qatar, Tunisia, Algeria, Kuwait, Lebanon, Morocco, Jordan, Palestine, Kingdom of Saudi Arabia, and Syria. Through their films marked by a distinctive cinematic style, they address issues that were seldom tackled before such as freedom of political expression, family and love stories set amidst strife, and the searing tales of fighters in post-revolution nations.
The centerpiece of DTFF, the Arab Film Competition has a total of 27 films including seven documentaries, seven narrative features and 13 shorts from 10 Arab countries including first time entries to the competition from Qatar and Saudi Arabia. The Arab Film Competition for narrative features and documentaries has five world premieres and two international premieres; the Arab Short Film Competition has eight world and international premieres.
The films that make their world premiere in the Arab Film Competition include feature films: Asham: A Man Called Hope; Playground Chronicles; Die Welt and Goodbye Morocco; and the documentary O My Body!. The World premieres in the short film competition section include: Ismail, Sanctity, The Forgotten, The Wall, Bidoon and Tariq.
His Excellency Mr. Issa Bin Mohammed Al-Mohannadi, DTFF Vice Chair said: “The most fascinating aspect of this year’s Arab Film Competition selection is their thematic brilliance and attention to cinematic detailing. Bringing together works by renowned auteurs as well as high-calibre debutants, the selection is a clear statement on how Arab cinema has evolved, particularly after the events of the Arab Spring. The Arab film competition serves as a stepping-stone for regional filmmakers to showcase their creativity to the global community and complements our efforts to support the development of a credible regional film industry.”
Auteurs competing for top honours include Merzak Allouache, Tahani Rached, Joana Hadjithomas, Khalil Joreige, Mahmoud Ben Mahmoud, Nabil Ayouch and Nadir Moknèche. Representing the emerging face of Arab cinema, directors such as Hanan Abdalla, Maggie M. Morgan, Karim Alexander Pitstra, Brahim Fritah, Tamara Stepanyan and Damien Ounouri will share the spotlight with established names. Their films present two uniquely different perspectives from the region, highlighting classical works and innovative approaches with several subject matters.
DTFF’s Arab Film Competition also highlights the strong inroads being made by Arab female filmmakers with 10 films, more than one third of the total selection, portraying the struggles, aspirations, achievements and hopes of women across the region. To evaluate the impact of the Arab Spring on the region’s cinema, DTFF will also host a panel discussion on ‘Emerging Cinema of Change.’
Chief Arab Programmer Hania Mroue, who works closely with Chadi Zeneddine, Resident Filmmaker and Programmer, to curate the programme for the Arab Film Competition, explained: “Today’s filmmakers are more confident, approaching subject matters that were rarely explored earlier, and present them in compelling styles that highlight the strong creative standards of the region’s talent.”
With prize money of over US$440,000, the best feature narrative and documentary will each receive prize money of US$100,000. An award of US$50,000 will be awarded to the best directors in both categories. A Best Performance Award of US$15,000 will be presented in the Feature Narrative competition. The Best Short film will receive US$10,000 and a development prize of up to US$10,000.
With an expanded Festival format this year, DTFF 2012 will showcase over 87 films from across the globe under distinct themed categories including Arab Film Competition, Made in Qatar, Contemporary World Cinema and Special Screenings.
This year, DTFF provides audiences a comprehensive and enriching cultural experience with new screening venues in Doha. Indoor and outdoor screenings will take place at Katara Cultural Village, Museum of Islamic Arts (MIA), and Souq Waqif.
Accomplished International Film Professionals to Choose Winners of DTFF’s Arab Film Competition
Doha Tribeca Film Festival (DTFF), the annual cultural celebration of Doha Film Institute (DFI), has announced the juries to select the winners of the Arab Film Competition, the only competition at any regional film festival dedicated wholly to honouring Arab cinema talent.
The members of the four juries, drawn from across the world, include internationally acclaimed film professionals, authors and cultural thought leaders. They will evaluate the Arab Film Competition’s three segments – Feature Narrative, Feature Documentary and Short Film – as well as the ‘Made in Qatar’ segment of the festival, devoted to films made by Qatar-based talent. The awards have total prize money of over US$440,000.
The Feature Narrative jury will be headed by renowned Tunisian actress Hend Sabry (The Yacoubian Building, Whatever Lola Wants and Asmaa). The other jury members are: Indian director Ashutoush Gowarikar (Lagaan, Jodhaa Akbar); Dr. Emad Amralla Sultan, Deputy General Manager of Cultural Affairs of Katara Cultural Village; renowned Turkish filmmaker Yeşim Ustaoğlu (The Trace, Journey to the Sun); and critically acclaimed Algerian author Mohammed Moulessehoul, who writes under the pen-name Yasmina Khadra (The Swallows of Kabul, The Attack).
The jury for Documentary Narrative comprises: Syrian documentary filmmaker, producer, and scriptwriter Hala Al Abdalla (I Am the One Who Takes Flowers to Her Grave), Qatari director Hafiz Ali Ali (The Oryx Return, Scents of Shadows, Cab Driver), and renowned Iranian artist and filmmaker Shirin Neshat (Women Without Men). The short films at the competition will be evaluated by Joana Hadjithomas, Tahani Rached, and Nadir Mokneche.
Appraising the ‘Made in Qatar’ showcase, which features the largest line-up yet this year with 19 films including 15 World Premieres, are: acclaimed Qatari author Waded Al Kuwairi; Saudi Arabia’s first female filmmaker, Haifaa Al Mansour (Women Without Shadows); and founder of the Qatar Fine Arts Society and renowned visual artist Faraj Daham.
Mr Abdulaziz Al-Khater, Chief Executive Officer, Doha Film Institute, said: “We are thankful to the jury members, coming from around the world, to evaluate our Arab Film Competition entries. The jury members will evaluate the films to international standards thus ensuring that our films are benchmarked against the best. We are setting the bar high to ensure that the finest Arab filmmaking talent get the due recognition and international recognition through the Doha Tribeca Film Festival.”
This year, Doha Tribeca Film Festival will feature over 87 movies from 34 countries, with numerous nations making their debut at the Festival through the Arab Film Competition. The fourth edition will open with Mira Nair’s The Reluctant Fundamentalist. This year, the Festival has expanded its scope to eight days, providing audiences a comprehensive and enriching cultural experience with new screening venues in Doha.
Indoor and outdoor screenings will take place at Katara Cultural Village, Museum of Islamic Arts (MIA), and Souq Waqif. Public participation will be central with the Festival hosting an array of large community events, including Family Day, as well as panel discussions, networking events and educational filmmaking programmes including Doha Talks and Doha Projects.
The events and programme at the fourth Doha Tribeca Film Festival underscores Doha Film Institute’s mandate to provide audiences with opportunities for education and entertainment in important community spaces.
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